The Changing Face Of Youth Transitions Social Policy Essay

Madness and Insanity in Shakespeares Hamlet - Insanity within Hamlet E

Madness inside Hamletâ â   â â Let us investigate in this article the genuine or faked franticness of the legend in William Shakespeare’s emotional catastrophe Hamlet.  Basic supposition is separated on this inquiry. A.C. Bradley in Shakespearean Tragedy steadfastly sticks to the conviction that Hamlet would stop to be a grievous character in the event that he were extremely frantic whenever in the play (30). Then again, W. Thomas MacCary in Hamlet: A Guide to the Play keeps up that the ruler pretends craziness as well as gives indications of genuine madness:  Hamlet pretends frenzy yet additionally gives indications of genuine franticness) after his father’s demise and his mother’s overhasty remarriage; Ophelia really goes distraught after her father’s passing on account of Hamlet. For both, frenzy is a sort of opportunity †a permit to talk truth. The individuals who hear them listen cautiously, hoping to discover something of substance in their discourse. Is it they, the crowd, who make something from nothing, or is it the frantic who make something out of the nothing of customary experience? (90)  Hamlet’s discussion with Claudius is crazy language to the last mentioned. Lawrence Danson in â€Å"Tragic Alphabet† depicts how Hamlet’s utilization of the logic is unadulterated frenzy to the lord:  From Claudius’s perspective, be that as it may, the logic is essentially distraught: its rationale is a piece of Hamlet’s â€Å"antic disposition.† Sane men know, all things considered, that â€Å"man and spouse is one flesh† just in a figurative or emblematic sense; they realize that lone a crazy person would search for strict truth in semantic shows. Also, Claudius is correct that such â€Å"madness in incredible ones must not unwatched go† (III.i.end). (70)  Hamlet’s first words in the play say that Claudius is somewhat more than family and less t... ... Children, 1899.  Felperin, Howard. â€Å"O’erdoing Termagant.† Modern Critical Interpretations: Hamlet. Ed. Harold Bloom. New York: Chelsea House, 1986. Rpt. of â€Å"O’erdoing Termagant: An Approach to Shakespearean Mimesis.† The Yale Review 63, no.3 (Spring 1974).  Foakes, R.A.. â€Å"The Play’s Courtly Setting.† Readings on Hamlet. Ed. Wear Nardo. San Diego: Greenhaven Press, 1999. Rpt. of â€Å"Hamlet and the Court of Elsinore.† Shakespeare Survey: An Annual Survey of Shakespearean Study and Production. No. 9. Ed. Allardyce Nicoll. Cambridge, Eng.: Cambridge University Press, 1956.  MacCary, W. Thomas. Hamlet: A Guide to the Play. Westport, CN: Greenwood Press, 1998.  Shakespeare, William. The Tragedy of Hamlet, Prince of Denmark. Massachusetts Institute of Technology. 1995. http://www.chemicool.com/Shakespeare/village/full.html No line nos.  Â

9 of the Best Literary Magazines for the Read Harder Challenge

9 of the Best Literary Magazines for the Read Harder Challenge This list of literary magazines for the 2020 Read Harder Challenge is sponsored by TBR: Tailored Book Recommendations. TBR is Book Riot’s subscription service offering Tailored Book Recommendations for readers of all stripes. Been dreaming of a “Stitch Fix for books?” Now it’s here! Tell TBR about your reading preferences and what you’re looking for, and sit back while your Bibliologist handpicks recommendations just for you. TBR offers plans to receive hardcover books in the mail or recommendations by email, so there’s an option for every budget. Visit mytbr.co to sign up today. Literary magazinesâ€"also called literary journals or lit magsâ€"play an important role in the literary ecosystem. Many publish emerging writers alongside established ones, offering valuable exposure and prestige to those just starting out. If you look in the back matter of any collection of short stories, poetry, or essays, you’ll often find a list of magazines and journals where many of these works first appeared. Most literary magazines are available on a subscription basis, but there are other options for getting your hands on a copy. Many offer you the option to purchase a single back issue. Your local library might be a subscriber, so you can also check what literary journals they carry alongside other popular periodicals. To make access even easier, many lit mags are available online for freeâ€"either in whole or partâ€"and some are online only. The following nine recommendations represent the range of literary magazines out there: print and digital, single-genre and multi-genre, long and short, serious and humorous, and more. Literary Magazines by Genre Creative Nonfiction Creative Nonfiction’s tagline serves as a definition for the genre as a whole: “True stories, well told.” Published four times a year, this lit mag features short and long-form essays, interviews, criticism, and “tiny truths”â€"micro essays pulled from the #cnftweet hashtag on Twitter. Each issue centers around a common theme, such as sex, home, and risk. Back issues of Creative Nonfiction are sold for $10.00 each. POETRY Magazine POETRY magazine, published by the Poetry Foundation, has an illustrious history dating back to 1912. It was the first to publish such notable poems as “The Love Song of J. Alfred Prufrock” by T.S. Eliot, “Fever 103” by Sylvia Plath, and “We Real Cool” by Gwendolyn Brooks. The magazine carries this legacy into the future, publishing the poets writing today who will be anthologized in the future. Each issue features dozens of poems by new and established poets, along with a selection of art and essays, making it the perfect way to engage with the contemporary poetry scene. The magazine’s entire archive is available online at no cost, so you could read any number of historic issues to complete this Reader Harder task! If you prefer to read in print, you can snag a back issue for $3.75. One Story One Story is a fiction literary magazine that offers exactly what its name implies: each monthly issue contains one story. Founded in 2002,  One Story  has published over 200 shorts, many of which have made their way into “best of” anthologies. They also publish teen writers in their One Teen Story version of the magazine, which makes a great entry point into lit mags for younger audiences or YA readers. Back issues of One Story  are available for just $2.50. Classic Literary Magazines The Paris Review The Paris Review is a quarterly literary magazine founded in 1953 that publishes short fiction, poetry, the occasional essay, art/photography, and interviews with writers. You may be familiar with their archived interview series “The Art of Fiction,” which has featured some of the most notable writers of the last century. Back issues are available for $20 a piece, but you can also find quite a bit of  Paris Review content on their website. This includes their Poetry Rx column (run by poets Sarah Kay, Kaveh Akbar, and Claire Schwartz), monthly “Feminize Your Canon” column, and nonfiction-centered blog, The Daily. McSweeneys Quarterly Concern When I told my roommate I was writing this article, she said I had to include McSweeney’s Quarterly Concern (founded in 1998). Why? The sheer quirk in the packaging makes this fiction and nonfiction literary journal stand out from the rest. Issue 53, for example, came packed with 8 balloons featuring short stories from the likes of Lauren Groff, Carmen Maria Machado, and Rebecca Makkai. You must inflate the balloons to read the stories, obviously (just because it’s “literary” doesn’t mean it can’t be fun!). Issue 33 was presented as a full-size newspaper. While these are some of the more out-there examples, each issue has a unique look and offers a breadth of quality writing from voices you know and those you’ll be hearing more about soon. The Kenyon Review The Kenyon Review is a highly respected American literary magazine that has been around since 1939. It has a history of publishing influential writers early in their career, including Flannery O’Connor and Robert Lowell. Today, the flagship print magazine comes out six times a year, but the brand has extended to a digital site called KROnline that publishes new content every two weeks and an offshoot review site called KR Reviews that focuses on small and indie press publications. Print and digital back issues of the magazine are available for $5â€"15, depending on the format. Free Online Literary Magazines Tor.com If you like your fiction with a twist of genre, check out Tor.com. This online literary magazine publishes science fiction and fantasy alongside critical writing and commentary on these genres. Content is published daily rather than in a traditional issue, so you can dip your toes into content on various parts of the site to complete this Read Harder task. Not sure where to dive in? You could always pick up a copy of Worlds Seen in Passing, a 576-page anthology featuring some of the best from Tor.com’s last ten years. The Rumpus The Rumpus is an online literary magazine featuring a wide range of writing, including essays, poetry, fiction, book reviews, interviews, and comics. Writers you know and love have been regular contributors to the site, including Roxane Gay and Cheryl Strayed, whose book Tiny Beautiful Things came from her Dear Sugar Rumpus advice column. The site has several ongoing series focused on highlighting the voices of women and non-binary writers, including their “Funny Women” humor series and “Enough,” a series dedicated to writing focused on issues of violence and rape culture. Undergraduate Literary Magazines Most undergraduate institutions publish some kind of literary journal, including your alma mater (if you have one). How many of us have actually read ours, though? If you breezed past your school’s lit mag, why not track down a copy from one of the years you were in school or pick up a recent issue? This is a great way to support the work of the student editors who curate the magazines and also the emerging talent published in them. Before Angie Thomas published her blockbuster bestseller The Hate U Give, her short stories were featured in my school’s literary magazine, The Brogue. You never know what gems you’ll discover when you peep through the table of contents on back issues of your school’s! Looking for even more options for literary journals you can try for this Read Harder task? Check out Christinas Literary Magazines 101 post or this extensive listing of magazines on Poets Writers!

Communication Essay - 2481 Words

Interpersonal Communication Essay Communication is the first instrument that humans used in their process to socialize, interact with others and can be defined as the process of sending information about our though, opinions, feelings to another person . Why we communicate? We communicate to know each other, to find out about others emotions, to change information, to convince others to understand our point of view and build relations. Interpersonal communication is the most important form of communication and is the most used. People cannot avoid this type of communication, and their social relation depends on their ability to engage in a conversation with others... Interpersonal communication is the process that†¦show more content†¦It has been estimated that their can be a 60% loss of meaning in the transmission of messages from sender to receiver, hence it is no surprise that most companies find that communications is at the root of a lot of there problems. We have to be aware of all the potential sources of communication in order to avoid these barriers in the future. There are 5 main barriers to communication the first is Physical barriers. They are often due to the nature of the environment. As an example, the natural barrier which exists if staffs are located in different buildings or on different sites it will make it harder for them to communicate with each other. Likewise, poor or outdated equipment, particularly the failure of management to introduce new technology, may also cause problems. Staff shortages are another factor which frequently causes communication difficulties for an organisation. Whilst distractions like background noise, poor lighting or an environment which is too hot or cold can all affect peoples morale and concentration, which in turn interfere with effective communication. The second barrier I would like to talk about is Language barriers. When we are trying to communicate with another person we must make are message clear to them so they understand what to do. This is a process known as encoding. There are often problems doing this. For example, if you are sending an e mail or a written message to someone if you make mistakes inShow MoreRelated Communication Essays1083 Words   |  5 PagesCommunication Many managers devote a significant proportion of their time to communications both within and outside the business. Communication can be simply defined as the flow of information from one person to another. Effective communications are, therefore, vital to the success of the business, since the delegation of work, the feedback of information and the controlling of the business all rely on accurate, quick and effective communication flows. Good communication will reduceRead MoreEssay on Communication1632 Words   |  7 PagesCommunication In organisation the employees communicate in different ways, every single day. They have talk in meetings, have group discussions and negotiate over the telephone, they write memos, emails, draft letters, reports, and sending faxes in emergencies. The organisation gives out the advertisement in TV, posters, in store advert and many more count as communication, Communication is most important base for develop the business, the communication with other department give theRead MoreEssay on The Qualms of Communication991 Words   |  4 PagesThe Qualms of Communication He never talks to me! That phrase is the most common complaint that women have about men. The communication process between men and women has long been an interest for many people. The way we speak and why we speak that way have prompted diverse opinions from various authors over the years. Deborah Tannen is one such author. Tannen, who has a doctorate in linguistics, is a professor at Georgetown University. She has been studying the way people communicate and theRead More communication Essay1209 Words   |  5 Pages SITUATION nbsp;nbsp;nbsp;nbsp;nbsp;Four large US telephone providers merged to create a national wireless service. With a combined workforce of more than 30,000, the new company needed a communication platform to integrate its four business units. To quell the rumor mill and sustain productivity, it was important to keep employees abreast of breaking news about integration plans, customer and staffing issues, partner companies, public news releases, and changes to organization design and HRRead MoreEssay on Crisis Communications1321 Words   |  6 PagesCrisis communication is the most important aspect of external and internal organization communication. This type of communication ranges from image restoration campaigns to employee turnover. In the articles that I have analyzed, I discovered many examples of crisis communications and its importance. I will discuss the Bridgestone-Firestone Corporations image restoration campaign and explain Benoits theory of image restoration. Also, I wil l discuss how crisis communications fits into publicRead More written communication Essay1589 Words   |  7 Pageslanguage as a fish lives in water and so written communication is just one of the ways that man can survive through† (English scholar Annie Dillard). Writing is a skill to give information. Like all skills, it is not inborn and so it needs to be learnt. To give information you need good communication skills including the ability to write simply, clearly and concisely (Harris amp; Cunningham, 1996). QUESTION A. Delineate the purpose of written communication, giving reasons for your answers. DifferentRead MoreDemonstrative Communication Essay925 Words   |  4 PagesDemonstrative Communication XXXXXX XXXXXXX BCOM/275 January 16, 2013 Provide examples showing how demonstrative communication can be effective and ineffective, positive and negative, for the sender and receiver. Demonstrative Communication is the process of people’s thoughts and messages of communicating by actively listening in verbal and nonverbal communication. Depending on how a message is communicated, â€Å"can be effective and ineffective, either positive or negative† (Juancho24,Read More Communication Essay1438 Words   |  6 PagesCommunication embodies the ability for one to convey a message through the use of verbals (words) and non-verbals (behaviours) in a process to compare, transmit and interpret messages. Garside and Kleiner (2007) portrays communication as sharing thoughts and feelings with other people. For this process to be effective the message should be transmitted with maximum accuracy and minimum effort (Garside and Kleiner 2007) with mindfulness (Burgoon, Bieger and Waldron 2002) from both parties. MindfulnessRead MoreEssay On Language And Communication1154 Words   |  5 Pagesand Communication Usage Language and communication are the basis of all things social. Whether social is discussing information about a coming test, reciting the last song listened to, or flirting with a girl or boy met at the cafe. Words are the basis of language and communication but not only words; action is also a basis hence the term, body language. Language and communication also include discussion with others and discussion towards oneself. When regarding language and communication, oneRead MoreBusiness Communications Essay1516 Words   |  7 PagesTHE IMPORTANCE OF WRITING SKILLS IN BUSINESS COMMUNICATIONS: HOW AND WHY TO IMPROVE EMPLOYEES WRITING Abstract This essay describes how poorly written communication can lead to misunderstanding and a possible loss of business. Through this paper the author wants to persuade the employer to sponsor a workshop for all employees to improve their writing skills, to increase business communications and to avoid arguments through poor communication. This paper demonstrates the effectiveness of

My Senior With My Associates Of Science - 866 Words

After this semester I will graduate with my Associates of Science. There are several different careers that I am considering. One of the areas up for consideration is gerontology. It encompasses the process of growing old, the effects of old age, and addresses ways of combating the effects. I am specifically interested in the deterioration of our physical abilities, effective ways of slowing the loss of abilities such as balance, and improving cognition. My interest in the field of gerontology is the reason that I decided to take this course, so that is the career choice that I will focus on for this assignment. Upon receiving my Associates of Science, my first career goal is to finish researching what the possibilities are regarding career options, pay, and accessibility to the schools that offer what I need. The objective is to learn as much as I can about the possibilities in order to decide which direction to go. Whether I want to work in research and development, or actu ally work with elderly people in more of a therapeutic capacity. That is going to be a matter of deciding how long I want to be in school and what is available to me. After that is decided the objective will be getting accepted to a University and completing my education. The second goal is getting a job in the area that I choose, either researching and developing techniques, or actually working with elderly people. The objective as a research/development professional, or a therapist isShow MoreRelatedCover Letter Essay778 Words   |  4 PagesI am pleased to submit my cover letter and Curriculum Vitae in consideration for the position of Senior Associate Dean at the Milken Institute School of Public Health. We are at a pivotal time in our School’s history. 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The Multi-dimensions of Art Milk Free Essays

The concept of art has been an ever changing forefront of movements, development, evolution and a pending example of how the human race has delved into different realms of expression and exploration into their surrounding environment.   There are varying theories as to the worth of art, pop art in particular and its legacy to the human race; or, all art in general may be examined through critical eyes and have the same question presented in such scrutiny.   The purpose of this paper will be to examine the worth of The Milkproject and how it aids in examining people and products in their everyday life. We will write a custom essay sample on The Multi-dimensions of Art Milk or any similar topic only for you Order Now There has been much debate as to the purpose of; in Oscar Wilde’s famous quote he says, â€Å"All art is completely useless† and while this may be the case in fact, since art does not serve some rudimentary purpose in propelling the human race forward into any evolutionary or revolutionary states, art must be approached from a different angle.   The theorists Dick Higgins states that, Pop Art?   How could it play a part in the art of the future?   It is bland.   It is pure.   It uses elements of common life without comment, and so, by accepting the misery of this life and its aridity   so mutely, it condones them.   Pop and op are both dead, however, because they confine themselves, through the media which they employ, to the older functions of art, of decorating and suggesting grandeur, whatever the detailed content of their artist’s suggestions (Higgins 49). Thus, with this definition of the death of art through the lack of evolution it is willing to play in progressing forward into a new age of media a viewer may rightly surmise that the endeavors of the Milkproject are far more revolutionary than any other artistic movement being designed in this century.   It is with the inclusion of technology and the approach of applying the common life with something integral to the world such as milk and how and where it travels that this project will have a lasting impression in the art world. It is through diversity of art and the inclusion of different medias into a conglomeration art project that the Milkproject is able to transcend the usual boundaries of art and to delve into something more important, more human.   The project used photographs, sound recordings and live models and life to portray the transportation of milk from a farm into the houses of the general populace.   The integration involved in this journey is what beckons Higgins to recollect the diversity of Duchamp in his theory and to state that it is only through this mixture and inclusion of media that art is able to evolve, and evolve it does with the Milkproject. The true genius of the Milkproject is that is it interactive; with the audience as well as the participants.   The beauty of the project is that is focuses on something common in everyone’s lives so that everyone has a basis for an interest in the project.   As this paper has previously quoted art seems useless:   from the dowdy baroque pieces to the overly large pop art media pieces, there seems to be no real connection between the lay person and art. With the Milkproject this foreignness is bypassed as milk is the main ingredient in the art, and the reactions of people to milk, its journey and process is all a part of the final project.   In Kaprow’s article â€Å"Happenings† in the New York Scene he describes how ‘Happenings’ is an interactive based art experience, â€Å"You come in as a spectator and maybe you discover you’re caught in it after all as you push things around like so much furniture† (Kaprow 84).   This same process of being involved in the Milkproject despite not being the artist of the muse, is what propels the fundamental interest of the viewer. The idea behind the Milkproject as an artistic expression is only defined as such by the intermingled use of photography and voice.   This is why the project is such an important piece; because in most art pieces, the movement is static, the flowers remain the same through time, but with the human voice and the interaction of the product with the audience, the viewer or participant is able to relate on a more humanistic level with the project and thus transform it from a Happening into a thing of real life consequence: from the farm and whatever happens with the farm (financially, weather-wise, etc) to the mouth of the consumer.   Thus, the Milkproject transcends Kaprow’s Happening as he defines it, Happenings are events that, put simply, happen.   Though the best of them have a decided impact—that is, we feel, ‘here is something important’—they appear to go nowhere and do not make any particular literary point.   In contrast to the arts of the past, they have no structured beginning, middle or end.   Their form is open-ended and fluid; nothing obvious is sought and therefore nothing is won, except the certainty of a number of occurrences to which we are more than normally attentive.   They exist for a single performance, or only a few, and are gone forever as new ones take their place. (Kaprow 85). Thus, the Milkproject is not so clearly defined as art that has no ‘structured beginning, middle or end’ (Kaprow 85) but rather to the extent of the milk’s journey from teet to mouth of the consumer is found these three parts; excepting in the idea that the project itself is a continuation of the milk’s journey transform by the project into art. It is now clear that the Milkproject is a transformable art.   Thus, the art behind the project is not limited to the process of the milk traveling but extends to the reactions of the farmers and the consumer as is proven with the voice recorded tapes.   The audience in turn at the exhibition becomes part of this process as well, which makes the integrated media of the Milkproject evolutionary in its concept.   This concept of mixed media and the extension of art into the audience is portrayed in Aarseth’s theory on literature, Where this new adaptation might prove to be a radical departure is in the way we shall use it to define textually independent of its traditional associates, the reader/receiver/audience and writer/sender/author.   This move, which might be seen as self-defense†¦A text is not what we may read out of it, nor is it identical with what someone once wrote into it.   It is something more, a potential that can be realized only partially and only through its script (Aarseth 59). One must merely substitute the word literature and text with art and this passage clearly defines the purpose and impact of the Milkproject. Another interesting dynamic to the Milkproject is its use of the narrative.   As was mentioned with Higgins, art does not transcend itself often; that is to say that art does not cross from a painting into a sculpture, and that is why media is such an important tool for this new era of art.   Most art does not speak for itself, does not lend the viewer with a cemented impression or underlying theory to its own existence as was illustrated in Kabrow’s Happenings.   With the inclusion of a running narrative in the Milkproject, a new dimension of art is being presented and very well incorporated into the integrity of the project. The inclusion of a narrative is not the only aspect of the genius of the Milkproject but the way in which it is included is what makes the narrative a work of art.   The narrative is typically thought of as a story telling device through literature.   In the dynamic of the Milkproject the narrative becomes a palpable part of the exhibition in that it is presented not through written words but electronic devices and thus remaking the project a part of a long lasting tradition of oral story telling, something the native Americans of other cultures pass on stories from generation to generation (de Certeau 95).   It is with this oral tradition being included in the project that a sense of human identity and connectedness from the Netherlands to America and further can be appreciated, as Landow expresses of the narrative and technology, Electronic textuality brings with it many changes, but not all concern loss, as so many critics of culture seem to believe.   Lyotard, for instance, claims that the new information technologies produce effects much like the journalist’s rewriting†¦but the evidence of hypertext works thus far created, both instructional and literary, suggests that on the contrary electronic linking graphs idiosyncrasy and personal association in particularly liberating ways. He grounds his charge on the doubtful claim which hypertext linking would seem to contradict, that the â€Å"new technologies †¦submit to exact calculation every inscription on whatever support:   visual and sound images, speech, musical lines, and finally writing itself,† and he argues that â€Å"the noteworthy result of this is not, as Baudrillard thinks, the constitution of an immense network of simulacra† but rather the great â€Å"importance assumed by the concept of the bit, the unit of information† (Landow 32). The importance then of the inclusion of the narrative through a technological device then is proven to be a necessary part in the Milkproject not only in a traditional art sense but in a cultural sense as it propels the human story forward by the means of the human ingenuity:   through the bit, through oral tradition by way of a story that is significant to the human race, and its progeny:   a farmer’s milk into the mouths of the consumer, is something that will always be of importance because of its nutrition as well as this project’s ability to show that the world, the economy, cultures, are working in a globalizing fashion to sustain human life in all parts of the earth, thus art imitates nature (Guattari Deleuze 2). The Milkproject extends the visual world and enters the verbal world so that the audience may better understand the significance of the work.   The emphasis of the verbal, or oral storytelling in this project is what makes the project all that much more human.   The implementation of the digital voice recordings along side the still motion shots taken from video footage is what humanizes the project and for the audience its what makes the project real, and strikes a cord of commonality, thus, not only is the audience member intrigued because of the element of milk, a product used by a large portion of the world’s population but also the voiced concerns of the farmers and consumers are juxtaposed with the audience reactions as de Certeau states , We could moreover extend this problematic to the relations between the act of writing and the written text, and even transpose it to the relationships between the ‘hand’ and the finished painting.   AT first isolated in the area of verbal communication, the speech act turns out to find only one of its applications there, and its linguistic modality is merely the first determination of a much more general distinction between the forms used in a system and the ways of using this system, that is, between two ‘different worlds,’ since the ‘same things’ are considered from two opposite formal viewpoints (de Certeau 98). Thus, the use of the narrative becomes a part of the exhibition in an intrinsic fashion. The focus of this paper has been on the inclusion of several styles of art in one artistic piece, the Milkproject.   Through the use of verbal narrative, mixed media, photographs, technology, and video the ‘artists’ of this project have been able to create a Happening which goes beyond the open-ended suggestion of Kabrow and into a story which develops through the journey of milk from udder to consumer across continents. The use of GPS in this project was also a major player in extending the static components of art being non-transcendental (i.e. paintings can’t be sculptures and vice versa) and allows the project to be multi-dimensional and thus long lasting.   However, the stroke of genius in the Milkproject is the inclusion of various media in order to engage the audience in the reality of the milk’s journey. It is with this final statement of the project that the purpose of the project becomes apparent:   the audience’s interaction, and reaction to the project is a part of the project if not the main purpose.   Thus, the journey of the milk does not end with the consumer but carries on into the audience and this is what allows the Milkproject to not be a stagnant art form but an interactive exhibition whose genius rests with the reality that the journey’s participation hinges upon the viewer.   Thus, the journey of milk is found in its end with the art viewer. Work Cited Aarseth, E. â€Å"Nonlinearity and Literary Theory.† Hyper/Text/Theory Landow,  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   George P. (Ed)   Baltimore London: John Hopkins University Press, 1994  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   excerpts 51-86 Burroughs, W. The Cut-Up Method of Brion Gysin. The New Media Reader Nick  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Monfort and Noah Wardrip-Fruin (Eds) Cambridge, Mass.: MIT Press 2003 83 88. De Certeau, M.   Walking in the City.   The Practice of Everyday Life.   Berkley.   University Of California Press.   1988. Deleuze, G. and Guattari, F. Rhizome. in A Thousand Plateaus Minneapolis and  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   London: Minnesota UP, 1987 excerpts 2-25; Higgins, Dick. Intermedia. Leonardo 34:1 49-54 Kaprow, Allan. Happenings’ in the New York Scene.The New Media Reader Monfort,  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Nick Wardrip-Fruin, Noah (Eds) Cambridge, Mass.: MIT Press, 203 83-88 Landow, G. P. What’s A Critic to Do? Hypertext. George P. Landow (Ed) Baltimore:  Ã‚  Ã‚  Ã‚   John Hopkins UP, 1994 32-46 Marek, K.   Bizarre New World. (The World May Be) Fantastic, Biennale of Sydney  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Catalogue 2002 217-20. Plant, S. On the Matrix. Cybercultures Reader London New York: Routledge, 2000   325-336 How to cite The Multi-dimensions of Art Milk, Essay examples

Make A Difference free essay sample

Have you ever asked yourself: Who am I in this world? What is the place I occupy in this world? How can I help others? What can I do to change the world..? Some people call me an idealist and a dreamerBut I do believe every person has to do something to make this world better. Have you ever thought of people suffering around you? Have you ever noticed them? What have you done to help them? These people can have not a global problemSome of them just need someone to stay nearSome of them just need your handIt is a lot easier to say: Its not my problem. But do you choose easy ways in your life? If you do, can you call yourself a person for sure? I dont think soIts not that hard to give a hand. Who will do it instead of you? Only you Is it so hard just to listen to people when they need you to? Every huge thing starts with a little oneHowever, I do believe theres no little thing in the world. We will write a custom essay sample on Make A Difference or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Every little thing turns into a giant one if it makes someone feel better I suppose only we can make changes. If you dont make them, then who will? Its easier to live the way youve been told. And it will take some time to change the world Its easier to say: I dont care instead of trying to make something fair. Its easier to give up at the beginning of your way. Yes, its harder to make it to the end. Do you live your life the way someone has told you? If you do, can you say that you are happy..? You have to struggle to be a winner. And your life should not be easy. Only after fighting, difficulties, going through unpleasant moments you will be able to feel yourself a winner. Only after helping others you will feel yourself a winnerYou just have to start. How can you make a difference? There are a lot of waysNobody can tell you what to do. You just have to feel it. Theres no instruction about changing the worldIt would look pathetic. It should be in your heart. You should feel it. You have to take a step and move ahead. It wont be easy. So take a breath But this is the sense. You must get rid of I dont care attitude to the worldYou must make a differenceWe all have something to bringJust give it try!